Jul. 8th, 2020

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willow-wanderings:

and make friends with the local wildlife

ivelivedathousanddlives:

what’s your “dream job?”

bitch you really think i’d pick a real job? my dream job is to live in a nice cottage in the countryside where i plant flowers, bake pie, and read books.
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sosuperawesome:

Solar System Embroidery

Ophelie Trichereau on Etsy
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samarasweaving:

Leverage 3.12 — The King George Job

[personal profile] charlottedabookworm
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stardust-rain:

i am tired of giving my labour to a capitalist system once the lockdowns are over i would like to join a vigilante heist team and start a found family who’s with me

#leverage#found family is the best family#and i love this job but oh good god sometimes i hate this business

[personal profile] charlottedabookworm [personal profile] sparklecryptid [personal profile] lectorel [personal profile] distressedherbalist [profile] starsilvereld [personal profile] starofthemourning [profile] notesoftruth

Can I be the Elliot? I would love to learn how to cook.
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justanotheridijiton:

John Roger, Executive Producer: By the way, can we talk about how we stole this entire patio set?

Chris Downey, Executive Producer: Oh that’s a great story.

Dean Devlin, Executive Producer and director of this episode: Go ahead.

John: Alright, so this is very Leverage-y. So we get to the location at some ungodly hour of the morning, and we were supposed to be in a cafe across the street. Pretty standard, they’re watching from the cafe across the street. We get there, and they tell us, “You cannot use our property.” We couldn’t use the cafe.

Dean: We had lost the location.

John: We had lost the location. At 7 o’clock in the morning. As we’re about to shoot. And so there is a coffee shop that is in the base of the building where we’re shooting, that had all that patio furniture chained up outside. I was like, “I mean, I know these people would give it to us if they were here, they just don’t open for another half hour.” And Dean says, “Cut the chain.” … “What?!?” He says, “Cut the goddamn chain, I’ll pay them back when they get here.” So we cut the chain, take the patio furniture, move it across the street, we turn what I believe is the exit to the subway, uh and interchange, into an outdoor patio. If you look at those tables, there’s no servers around.

Chris: So for you aspiring filmmakers: Genesis camera and bolt cutters.

Dean: … and bolt cutters.

Chris: Really the two most important things.

John: Absolutely. And then, you were absolutely right. The guy showed up, ‘what the hell’d you do?’, ‘hey, we’re shooting a pilot, would you like to meet the actors? Here’s Tim Hutton.’ Shook his hand, ‘here’s a pile of cash’, and we were fine. Yeah see the same furniture’s over there, because that’s where we stole it from. Uh yeah, sometimes even on a big budget TV show, you gotta go a little guerilla.

Leverage Season 1, Episode 1, The Nigerian Job, Audio Commentary Transcript, transcribed by [profile] leverage_commentary
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kane-town:

christiankane1
Happy to be part of the solution. #Leverage
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thekimonogallery:

“Symphony of Light” - one of the most significant kimono creations of Itchiku Kubota. This series reflects his admiration for nature, the inspiration received from the contemplation of the endless play of changing light.  Itchiku Kubota was a Japanese textile artist, most famous for reviving and modernizing a lost late-15th- to early-16th-century textile-dyeing and decorating technique called tsujigahana.

 These five works was created in 1981.
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whatsupbeanie:

Weirdly enough I wasn’t as nervous about answering the phone when I was little as I am now.. haha. Did you have a moment when you figured out that your Mum or Dad had actual names? I was SHOOK haha. 
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justanotherpurplebutterfly:

sanders-specs:

fanficmemes:

Fanfic Readers: Wow! Look at this well written plot and detailing the author put in! All these little subliminal messages they put in to hint at [insert theory here]! They’re a genius!

Fanfic author: I’m sorry, I did what?

Alternatively

Fanfic writer: *plans out intricate plot and incorporates different theories and characterizations to drop those subliminal messages*

Fanfic reader: aw cute!

Fanfic writer: …

Fanfic writer: BUT DID YOU NOTICE–

I am both of these
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comfygiant:

gahdamnpunk:

Can we support him please?!

I would love to share this with everyone who may happen to see this post. Please support this wonderful human being. He spent nearly a half century in prison for a crime he never committed. And the only thing that kept him going was his artistic endeavors. He deserves the best life can offer anyone ❤️
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captainbigdy:

african-melanin-goddess:

witchaj:

jenniferrpovey:

thechronicleofshe:

baldbeauxs:

sartorialadventure:

The Himba (singular: OmuHimba, plural: OvaHimba) are indigenous peoples with an estimated population of about 50,000 people living in northern Namibia, in the Kunene Region (formerly Kaokoland) and on the other side of the Kunene River in Angola. The OvaHimba are a semi-nomadic, pastoralist people, culturally distinguishable from the Herero people in northern Namibia and southern Angola, and speak OtjiHimba, a variety of Herero, which belongs to the Bantu family within Niger–Congo. The OvaHimba are considered the last (semi-) nomadic people of Namibia.

The Himba often cover themselves with otjize paste, a cosmetic mixture of butterfat and ochre pigment, to cleanse the skin over long periods due to water scarcity and protect themselves from the extremely hot and dry climate of the Kaokoland as well as against mosquito insect bites. The cosmetic mixture, often perfumed with the aromatic resin of the omuzumba shrub, gives their skin and hair plaits a distinctive orange or red-tinge characteristic, as well as texture and style. Otjize is considered foremost a highly desirable aesthetic beauty cosmetic, symbolizing earth’s rich red color and blood the essence of life, and is consistent with the OvaHimba ideal of beauty. The OvaHimba are also accustomed to use wood ash for hair cleansing due to water scarcity.

Hairstyle and jewelry play a significant role among the OvaHimba, it indicates age and social status within their community. An infant or child will generally have his head kept shaven of hair or a small crop of hair on his head crown. This soon is sculptured to one braided hair plait extended to the rear of the head for young boys and young girls have two braided hair plaits extended forward towards the face often parallel to their eyes. This style is called ozondato, the form of wear being determined by the oruzo membership (patrilineal descent group). The style remains during preadolescence until reaching puberty. Some young girls, with exception, may also have one braided hair plait extended forwards, which means they are one of a pair of twins.

OvaHimba girl

OvaHimba girl dancing

OvaHimba boy

OvaHimba girl, one of a set of twins!

OvaHimba children, both boys and girls, removing ticks from goats.

From pubescence, boys continue to have one braided hair plait.

A young man wearing a braid known as ondatu. Namibia. Photo by Nigel Pavitt

Once they reach puberty, OvaHimba girls will have many otjize textured hair plaits, some arranged to veil the girl’s face. 

This girl is going through puberty, a fact made plain by her hairstyle, which has been designed to cover her face and help her avoid male attention. The puffs at the bottom are either goat hair or synthetic.

(In daily practice, the hair plaits are often tied together and held parted back from the face.) 

This girl’s braids are arranged to reveal her face, indicating that she’s ready to be married.

Women who have been married for about a year, or have had a child, wear an ornate headpiece called the Erembe, sculptured from sheepskin, with many streams of braided hair, coloured and put in shape with otjize paste. 

Married women wearing erembe

Unmarried young men continue to wear one braided hair plait extended to the rear of the head. When Himba men marry, they start wearing turbans, which they never take off unless someone in the village dies. After a death, their heads are shaved.  Because the turbans are never removed, things can get a little itchy underneath, so men carry pointed arrow-like instruments to scratch it with.

Married OvaHimba men. #s 1 and 3 wear a scratching implement in their turbans.

Widowed men will remove their cap or head-wrap and expose un-braided hair. 

Himba widower. The habit of using a head-scratching implement is hard to break.

[Source]

Wow this is the first time I’ve seen a culture where men are required to wear a headdress after marriage.

every single person in this post is absolutely stunning

Nnedi Okorafor’s novella trilogy Binti has a Himba main character. Otijze is even a plot point.

This is the first time I’m seeing my culture on Tumblr and I feel so proud!!! 🥺🥺👏🏾👏🏾❤❤

It’s always fascinating to learn more about different cultures. And this one is beautiful 👏🏻
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palatinamedea:

oh you got a wine dark sea? well let me raise you . rosé fingered dawn
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pretzel-log1c:

tiny-agate:

dax-micro:

otherwindow:

Can’t believe I was fooled into thinking Aerith was just another meek healer girl in Final Fantasy spin offs and Kingdom Hearts when she’s actually FERAL

She was sadly extremely flanderized by Advent Children and Kingdom Hearts. As someone who played the original and remember the Aerith who threatens to rip off Don Corneo’s balls, it was super nice to see her restored in the remake.

I love Aerith so much.

[profile] blackkatmagic

[personal profile] sparklecryptid [profile] secret_engima
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nanostims:

🗡️ | prismsouls on ig

[personal profile] sparklecryptid

[profile] angelrider13 [Bad username or unknown identity: phoenixwithahoardoflibraries] !!! Are you thinking what I’m thinking?
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soft-stims:

parischezsharon on ig
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rav3n3tt3:

writingburrito:

This is your casual reminder that yes, your wip is worth writing. You’re not wasting time. Creativity is never a waste.

This is your casual reminder that it’s okay if you’re not constantly working on your WIP. Creativity takes time.
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