via
http://ift.tt/2sKqFbJdeadcatwithaflamethrower:
einarshadow:
wrangletangle:
d20-darling:
jenniferrpovey:
earendil-was-a-mariner:
George R.R. Martin: dragons are huge ferocious beasts who answer to a master
Tolkien: dragons are annoying, talking assholes
One interesting thought on this:
Fairy tale dragons? They’re like Smaug. They’re arrogant, talkative, they hoard treasure, they eat virgins. They’re amoral rather than evil, but they are intelligent monsters.
The dragon in Voyage Of The Dawn Treader, the one indirectly responsible for Eustace’s draconic curse is along the same lines.
At that time that is what a dragon was. There was a general consensus in western literature that dragons were, well, that.
In Medieval stories, dragons are to be killed by brave men. Gawain fights “wyrms” - a kind of wingless dragon. St. George slays a dragon. So does Beowulf. So does King Arthur. To be a worthwhile myth hero you have, at some point, to slay a dragon.
Early modern and nineteenth century dragons - we see one counter example - Faustus chariot is drawn by dragons in “Doctor Faustus.” The first really solid “friendly dragon” story is The Reluctant Dragon, which became a 1941 Disney film. That is the first story I can find about a dragon that befriends a human - but it’s friendship, not “human masters dragon.”
The second friendly dragon is E. Nesbit’s “The Last of the Dragons” who decides he’d rather hang out with the princess than fight the prince (the first example of subversion of the dragons eat maidens trope that I can find).
But they’re the minority.
In the 1930s, when Lewis and Tolkien were writing, dragons were the bad guys. The rare exceptions were dragons deciding not to act like dragons.
Then something happened.
That something probably started with a 1948 children’s book called “My Father’s Dragon - about a kid who runs away to Wild Island and rescues a baby dragon. Heard of it? If you’ve studied kid lit, sure, it won a ton of awards. Otherwise…nope, and certainly in Dawn Treader, written in 1950, dragons were still bad.
In the 1960s we start to see a couple more “good” dragons. But it’s almost always the same thing. Dragons are bad, except this one. This is a special dragon.
Then in 1967 John Campbell ran a story in Analog named Weyr Search. Heard of that one? Yup.
It was part of a novel called Dragonsflight, written by Grand Master Anne McCaffrey.
And she completely changed what dragons were.
Anne’s dragons were gentle, genetically engineered protectors who bonded to a human rider at birth and were “mastered” by that rider - the dragons offered instinct, but the reason came from the humans.
Anne McCaffrey was one of the first female authors to write science fiction by women about women - and while she had a number of flaws and was honestly a better worldbuilder than writer she inspired a lot of people.
And changed our view of dragons as a fantasy trope.
Since then most fantasy writers that include dragons have them as friendly and willing to be ridden by humans. Even the “good” dragons in the DragonLance novels.
In other words: In the space between Tolkein and Martin, who’s first short story collection was published in 1976, almost a decade after Weyr Search Anne McCaffrey turned dragons on their head.
Daenerys’ dragons owe more in their lineage to Ramoth than they do to Grendel, the dragon slain by Beowulf.
(In other words, literary evolution is fascinating).
@pinkpurlknits
Wait, wait, can we also talk about the genre McCaffrey helped establish? Say what you like about Political (Romantic) Fantasy (and there is a lot to say, since it was hella white until this century), it didn’t just remake dragons. It remade the public image of what Fantasy is as a genre.
McCaffrey came from a romance writer background. She brought that ethos with her when she migrated - namely, that plots should revolve around character and relationship development, that people are complicated, and that Real Fantasy™ isn’t giant wars, impossible quests, and morality tales but instead complex and evolving societies and the individuals who try to navigate them. She was also, as jenniferrpovey said, a better worldbuilder than writer in a lot of ways. This helped redefine what parts of a world need to be built to satisfy the audience. Tolkien’s legacy was history and language; McCaffrey’s was society and politics.
You don’t have to stan McCaffrey, MZB, Lackey, Kurtz, Rawn, Kushner, Flewelling, Hobb, and Cherryh to understand the impact that their work had on the concept of what western fantasy is. Most English-language fantasy TV series this decade have been Political (Romantic) Fantasy. A large portion of YA fantasy novels carry at least some of its elements. It makes for good plot and easily latchable characters.
So dragons, yes, but also the very core idea of what a fantasy story should talk about has been impacted by a series of women, often mentoring and supporting each other through cowriting, editing, etc. If anyone watched the Hobbit movies and wondered what was up with all the changes, this was up. The genre has changed; audience expectations have changed. You can’t just write 22 chapters of a fairy tale anymore (unless you’re McKillip or McKinley, and even they dip their toes). People want to know what characters other than the protagonist think and feel, what their motivations are. We want to watch relationships evolve. We want to know what makes the world tick now, not just 4000 years ago.
So hat-tip to the literary queens who forged a path. Because of them, you can have your badass dragon queens. (And yeah, there’s a reason Daenerys is a woman. She owes a lot to Lessa.)
@deadcatwithaflamethrower literature/history !
Don’t forget that Anne also put gay men into her books and didn’t shine a light on it–she treated it in the text as if it was COMPLETELY NORMAL and at age 12 it was my first introduction to both men-being-together and it being *normal*.
That helped pave the way for Lackey to be able to write books where a gay man is the *main character.*
(Their lack of lesbians is disturbing, but it was still hella-needed progress in mainstream fiction/fantasy.)
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